You could see to 'Ackney Marshes
If it wasn't for the 'ouses in between.'
chorus from The Cockney's Garden words by Edgar Bateman
On a day like this it is easy to understand why the watercourses of our cities hold such timeless appeal. It is a Sunday. London has woken to fog but a weak November sun keeps promising to find an opening. I am on the Hackney Cut of the river Lea in the east of the city. The narrow boats are mostly shuttered tight but steam from their flues betrays the occupants, no doubt cooking up a hearty weekend breakfast. There are plenty of cheery 'good mornings' from runners and cyclists, dog walkers and even the occasional canoeist. The water itself is glass smooth, ruffled only by paddling coots and swans. This is the other side of London, London slow, a respite from the relentless onslaught that is England's capital.
The Hackney Cut, begun in 1770, straightens a two-mile kink in the natural curve of the river, taking excess water and completing the medieval drainage of Hackney Marsh. It is only one of many projects down the centuries which have sought to impose human 'improvement' on the river, to tame what Edmund Spenser in The Faerie Queene described as 'the wanton Lee, that oft does loose his way.' Stories go that King Alfred drained the river's lower reaches in 895AD to cut off supplies to Danish invaders encamped upstream. Whatever he did, the Lea remained unnavigable for centuries afterwards. Since then it has been diverted and re-diverted many times to accommodate mills, filter beds, reservoirs and all manner of industry. And the work goes on, as recently a section of the river has been canalised to promote a greener means of transporting heavy construction materials to and from Olympic Park in readiness for London 2012.
On such a day it is easy to forget the Lea's notoriety for pollution (hydrogen peroxide is frequently added to re-oxygenate the water after sewage outspills); it is easy to set aside the blight of social alienation on surrounding housing estates (debate and finger-pointing goes on in the wake of this summer's riots in Hackney); it is easy, too, to ignore deeply divided public opinion about the whole Olympic project. On such a day as this the Lea is restored to simply being a river, a ribbon of water made beautiful not by human effort but by the alchemy of the elements.
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